Springe direkt zu Inhalt

Dr. Michel Otayek

M. Otayek
Bildquelle: Peter Adamik

Freie Universität Berlin

ZI Lateinamerika-Institut

Wissenschaftliche/r Mitarbeiter/in

Forschungsprojekt "Mobilität, Anderssein" - Prof. Klengel

ZI Lateinamerika-Institut der Freien Universität Berlin
Projekthaus: Boltzmannstr. 1
Raum 105
14195 Berlin

Michel Otayek is an art historian specializing in 20th-century photography and print culture in Ibero-America. He holds an M.A. from Hunter College (Art History, 2012) and a Ph.D. from New York University (Spanish and Portuguese, 2019). His research focuses on the production and circulation of photographic images, emphasizing questions of gender, mobility, and cultural exchange. His published scholarship showcases his ability to think critically about issues of cultural production from a transnational, interdisciplinary perspective.

Approved with distinction, his doctoral dissertation examines the careers of exiled photographers Kati Horna (1912 - 2000) and Grete Stern (1908 - 1999) in Mexico and Argentina, respectively. Paying close attention to their mobile positions across networks of cultural production, Otayek underscores the photographers' ability to exercise a wide range of creative choices within dense markets of print culture.

His curatorial experience includes "Told and Untold: The Photo Stories of Kati Horna in the Illustrated Press" (Americas Society, 2016), the first exhibition in the United States dedicated to the work of the Hungarian-born Mexican photographer. Among other institutional projects, he has collaborated with the Reina Sofía Museum's online portals "Rethinking Guernica" (2017) and "Front and Rearguard: Women in the Spanish Civil War" (2021).

Dr. Otayek's current book project (Strangers, Documenters, Troublemakers: Indigenist Photography by European Women in Postwar Latin America) considers photography's mediating role in contexts of unequal conviviality by tracing the production and transnational circulation of photographic images in advocacy for indigenous rights in Central and South America.

Research Interests

  • Photography and Print Culture
  • Gender and Exile Studies
  • Visual Anthropology
  • Spanish Civil War Visual Culture
  • Indigenous and Postcolonial Studies
  • Modern and Contemporary Latin American Art

Academic Theses

“Photography, Mobility, and Collaboration: Kati Horna in Mexico and Grete Stern in Argentina.” Ph.D. dissertation (New York University, 2019). Approved with distinction.

“Testimony of an Instant: The Spanish Anarchist Revolution Through the Lens of Kati Horna (1936-1939).” MA Thesis (Hunter College, 2011). Awarded the Sommerville Art Prize.

Edited Books

De la lleca al cohue: Photography in Venezuelan Penitentiaries, eds. Violette Bule and Michel Otayek (work in progress)

Patricia Avellán: Línea retrospectiva, eds. Michel Otayek and Eugenia Sucre (work in progress)

Told and Untold: The Photo Stories of Kati Horna in the Illustrated Press, eds. Christina de León, Michel Otayek and Gabriela Rangel, exhibition catalog. New York and Mexico City: Americas Society and Archivo Privado de Foto y Gráfica Kati and José Horna S.C. (2017).

Articles, Book Chapters, Catalog Essays, Encyclopedia Entries

“Between the Archive and the Artworld: Writing Gendered Histories of Ibero-American Photography,” in (Re)thinking Archives: Women, Culture and Gender in Iberia, Africa and Latin America in the 20th Century, eds. Carmen Gaitán Salinas and Jordana Mendelson, special issue of Journal of Women’s History (in review)

“An Unruly Photographic Practice: Barbara Brändli in the Venezuelan Amazonia,” in  A Foreign Eye: Photography, Women and Global; Encounters in the 20th Century, eds. Jordan Troeller and Hyewon Yoon, special issue of History of Photography (in review)

 “Greed, Violence, and Desire: Alfredo Boulton's Portrait of a Venezuelan Fisherman,” in Modernist Bodies, eds. Michelle Greet and Lynda Klich, special issue of Journal of Latin American and Latinx Visual Culture (in review)

“Women's Rightful Place: Images, Magazines, and Mobilization During the Spanish Civil War,” in The Edinburg University Press Companion on Spanish Civil War Art and Visual Culture, eds. Eugenia Afinoguénova, Silvina Gesser and Robert Lubar (in review)

 “Oficios de la página impresa: Manuela Ballester y la revista Pasionaria,” in Manuela Ballester: Pintar ante todo, ed. Carmen Gaitán Salinas. Valencia: Universitat de Valencia (forthcoming 2023)

 “Kati Horna: Fotografía y experiencia de exilio,” in Salirse del camino: Artistas del exilio republicano español, eds. Alejandro Coello Hernández y Carmen Gaitán Salinas. Granada: Editorial Comares (forthcoming 2023)

“Rómulo Gallegos, Canaima, and the Photobook that Never Was,” in Vistas 2: First Annual Symposium on Latin American art—Realisms: Politics, Art, and Visual Culture in the Americas, ed. Sean Nesselrode Moncada. New York: Institute of Fine Arts (2020): 63-73.

"Fotografía y excepcionalidad: Barbara Brändli, Thea Segall y el sur venezolano," in Las otras modernidades de Venezuela, ed. Juan Pablo Lupi, special issue of Studia Iberica et Americana 5 (2019): 101-121.

“Keepsakes of the Revolution: Transnational Networks and the Production and Distribution of Anarchist Propaganda During the Spanish Civil War,” in Writing Revolution: Hispanic Anarchism in the United States, 1868-2015, eds. Montse Feu and Christopher Castaneda. Chicago: University of Illinois Press (2019): 227-244.

“La Venezuela distante de Barbara Brändli”, in PhotoBolsillo: Barbara Brändli. Madrid: La Fábrica (2018).

New article (“Kati Horna”) and updated articles (“Caracas,” “Graciela Iturbide,” “Luis Brito,” “Martin Chambi,” “Paolo Gasparini,” and “Tina Modotti”) in Grove Encyclopedia of Latin American Art & Architecture, ed. Tom Cummins. New York: Oxford University Press (2019).

“Del reportaje periodístico a la rebelión contra el arte: las vidas múltiples de “El iluminado” de Kati Horna,” in Lámpara de mil bujías: fotografía y arte en América Latina desde 1839, eds. Elena Rosauro and Juanita Solano. Barcelona: Editorial Foc (2018): 390-429.

“Contando a Kati Horna: apuntes breves sobre el oficio de historiador,” in Velar la imagen, eds. Lourdes Dávila et al, special issue of Esferas 7 (2017): 149-155.

“Loss and Renewal: The Politics and Poetics of Kati Horna’s Photo Stories,” in Told and Untold: The Photo Stories of Kati Horna in the Illustrated Press, eds. Christina de León, Michel Otayek and Gabriela Rangel, exhibition catalog. New York and Mexico City: Americas Society and Archivo Privado de Foto y Gráfica Kati and José Horna S.C. (2017): 20-39.

“Berenice Abbott: Changing New York,” and “Walker Evans: Many Are Called,” in New York in Photobooks, ed. Horacio Fernández, exhibition catalog. Granada, Spain and Mexico City: Centro José Guerrero and Editorial RM (2016): 40-47 and 104-109.

"Catalogue" and "Timeline," in Power and Piety: Spanish American Colonial Art, ed. Jorge F. Rivas, exhibition catalog. Alexandria and New York: Art Services International and Colección Patricia Phelps de Cisneros (2015): 54-167 and 170-179.

Conferences, Lectures, Symposia

“Kati Horna y sus exilios fotográficos.” Guest lecture delivered as part of the seminar Cultura, Arte y Género, Centro de Ciencias Humanas y Sociales, CSIC (Madrid, Spain), February 14, 2023.

“Photography as Extraction and Redress: Barbara Brändli and Claudia Andujar Among the Yanomami.” Guest lecture presented as part of the MA in Art History Alumni Lecture Series, Hunter College (New York, USA), October 27, 2022.

“París-Barcelona-México: Kati Horna y sus exilios fotográficos.” Guest lecture presented as part of the HISTAGRA Lecture Series, Departamento de Historia, Universidad de Santiago (Santiago de Compostela, Spain), March 31, 2022.

“Fotografía y experiencias femeninas del exilio republican.” Presented at Salirse del camino: creadoras del exilio republicano español, Consejo Superior de Investigaciones Científicas (Madrid, Spain), January 28, 2022.

“Fotografía, surrealismo y arraigo: Kati Horna y su vampiro en Coyoacán.” Presented at Explorando el pluriverso surrealista, Lateinamerika-Institut (Freie Universität Berlin), December 7, 2021.

"Making Words Palatable: Grete Stern’s Dreams (1948-1951).” Presented at SECAC Annual Conference (Chattanooga, TN), October 18, 2019.

"Photographic Entanglements: Kati Horna and the Modernizing City." Presented at Modernist Studies Association Annual Conference (Columbus, OH), November 10, 2018.

“Modernidad, etnografía y excepcionalidad: Bárbara Brändli, Thea Segall y las comunidades indígenas del sur venezolano.” Presented at Latin American Studies Association Annual Conference (Lima, Peru), April 30, 2017.

“The Asymmetrical Power of Pictures: Photography, Illustration, and Anarchist Propaganda During the Spanish Civil War.” Presented at College Art Association 105th Annual Conference (New York, NY), February 15, 2017.

“Exile in Latin America: Kati Horna and Grete Stern.” Presented at Kati Horna and Women Photographers in Exile, Institute of Fine Arts (New York, NY), November 9, 2016.

“Canaima Recreated: Photography, Timelessness, and the Economic Conquest of the Venezuelan South—Or, The Splendid Photobook That Never Was.” Presented at the 2016 IFA–ISLAA Symposium Realisms: Politics, Art, and Visual Culture in the Americas, Institute of Fine Arts (New York, NY), April 30, 2016.

“Lights and Shadows in the Hinterlands: Ethnographic Endeavors of Grete Stern and Bárbara Brändli in 1960s Argentina and Venezuela.” Presented at College Art Association 104th Annual Conference (Washington, DC), February 5, 2016.

“The Resistance Movement in Venezuela: Civil Disobedience and the Rule of Law.” Presented at Diálogo: Crisis en Venezuela, New York University (New York, NY), March 4, 2014.

“A Belated Campaign: Kati Horna and the Production of Anarchist Foreign Propaganda During the Spanish Civil War.” Presented at While Silent They Speak: Art and Diplomacy, University of Georgia (Athens, GA), March 29, 2014.